![]() It was only inside the narrator's warped imagination that the man's eye was bothersome. "For it was not the old man who vexed me, but his Evil Eye." This old man's eye was likely, in realty, normal looking. In his writings, Poe often sought to capture the state of mind of psychotic characters, and the narrator of this story exhibits leaps of reasoning that more resemble the logic of dreams than they do the thought processes of a normal human being. However, as soon as he finishes his declaration of sanity, he offers an account that has a series of apparent logical gaps that can only be explained by insanity. His unreliability becomes immediately evident in the first paragraph of the story, when he insists on his clarity of mind and attributes any signs of madness to his nervousness and oversensitivity, particularly in the area of hearing. thank you for your interest.The protagonist of the "The Tell-Tale Heart" is a classic example of Poe's unreliable narrator, a man who cannot be trusted to tell the objective truth of what is occurring. There is an old man with a blue eye, the crazed killer, and three police. ![]() I have traveled extensively throughout the world The rest is yet to come. Character sketch: The Tell-Tale Heart by Edgar Allen Poe is a short story. I immigrated to Australia from Europe with my parents when I was a young child. I live on the Gold Coast in Queensland Australia where I have two studios and have a third studio in Fitzroy Melbourne which I visit several times each year to do street art. Editing Editorial Design Education Environmental Graphics Exhibition. I primarily like to work with ink on paper, but am versed with oils and acrylics and enjoy making and using collage and creating sculpture. I am a self represented full time artist. ![]() My illustrations, cartoons and artworks have been reproduced in books and other printed periodicals. My work has been acquired and is included in interesting private,corporate and public collections and many Hotels throughout the world. I have held several solo exhibitions, and have been included in numerous group and collective shows. I was employed and served as an 'illustrator reprographic' in the Australian Army, This job included regimental photography and related darkroom procedures, endless map and other drawings old skool freehand and 3d model making. ![]() I have formally studied commercial and graphic art and hold an advanced certificate in visual communication. So my drawing abilities seem to have developed in natural progression giving me the ability to freely use a number of distinct styles and approaches. I draw obsessively every single day filling books with ideas, cartoons and drawings. I never pick the image for the pages or visa-versa they just collide as chance permits, any meaning they may have is purely created by the observer and their own imaginings." I have drawn since childhood and as other children stop at some point in their development I never did. "Right now I like making ink drawings on adhered together sheets of vintage book paper, there is a fragility to these images that I find interesting (as if the wind may blow them away at any moment) and the hand drawn stark black lines against the intricate printed words of the book pages offer a strange fusion and depth that seems to give the images a kind of 'meaning' and back story, even though unconnected in a contrived way.
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